Basic Faces and Smoothing Wrinkles

The wrinkle in my Art Nouveau/Rosemaling piece has been smoothed. The main cause of this wrinkle was to much water meets to light of weight paper. I typically use Stonehenge paper as it is versatile, has a nice weight, and is Made in the U.S.A. In most situations, it actually wrinkles less than tradiditional watercolor paper. Applying multiple layers of color and water to the Stonehenge paper seems to break it down. I have found correcting these wrinkles is a little differently than you would do with standard watercolor paper. It is actually important to lay down more color with a light hand to create a heavy wax layer that builds up the paper. It took me two days of layering, lightly wetting and flat-weighting, but the nasty wrinkle along my young Norwegian maidens face is now gone and I can get back to work doing finishing details.

I started the face detailing on my Americana piece also. Everything done so far was done with Neocolor II crayons. I had some bleed off into her teeth. She looks like she has been enjoying a nice Cabernet. My next step will be to continue with The crayons going through and softening up all the details giving everything a bit more of an aged look.

I have started drawing out a third piece which I plan to use the Neocolor II crayons as the main base. Just looking at what I have done so far, I can really see the differences in these products. I am also coming up with a pretty lengthy list of each products merits and downfalls.

A Wrinkle in my Plan!

I have encountered a wrinkle, literally. I ended up with a doozy of a wrinkle right in the face of my Norwegian maiden after coloring in the face with Neocolor II crayons and a water pen. It was the perfect storm of not enough dry time, to light of paper, and a bit to much water blending. Is's fixable, but is going to take a few days of delicate working. Since I'm not one to sit still and work on only one thing at a time I decided to draw a design to use with the Derwent Inktense pencils.

My sweet husband asked me why I never draw anything "American". This gave me a good chuckle. What did he want? Stars, stripes, flags, fireworks and eagles? Why Not? Since the Derwent Inktense pencils are both bright and subdued at the same time, I felt they would be perfect for some kind of "Americana" piece, but I wanted to keep with an Art Nouveau style. This is what I came up with. Art Nouveau meets Americana.

Of course my husband absolutely loved the design paying it the his highest complement by saying " I would hang that in my office." I think that was also a hint that he was laying claim to this piece.

Here it is colored in with the Inktense pencils and water pens. For the rest of the face and detail work I will most likely use Neocolor II crayons and Prismacolor pencils. I am not thrilled with the hair, but with some more working I think it will come around.

Art Nouveux Meets Rosemaling-Part One, Faber-Castell Gelatos

After several days of experimenting with Faber-Castell Gelatos using some of the more common techniques, I was about to throw in the towel. Used dry, I felt like they didn't move enough. Spritzed on a gessoed surface I found them to be grainy. I decided to instead use them like watercolors. After applying to a ceramic surface, I added water with a dropper and mixed colors with a palette knife ( both of which were found in Gelatos Tool Set). I then used a water pen to apply colors to a line drawing done on Stonehenge paper with varying sizes of black Micron pens.

I find large Corelle-ware plates work great for mixing colors. The are as big as a large tile, but the curve of the plate keeps any water from escaping. The Faber-Castell Mix & Match Gelatos Tool Set (pictured) comes with some of the most commonly used tool for Gelato application.

The pigments of the Gelatos took on a very delicate look when used with a water pen. They reminded me of the colors that would be seen in Art Nouveux pieces, but at the same time they brought to mind some Norwegian textiles that I have. I decided to combine Art Nouveux style with traditional Rosemaling.

Here is the piece filled in with the Gelatos. As there are limited colors available in this line, this is probably all that I will do with this product line on this piece. Stay tuned for the next segment as I continue to work.

So Many New Things to Try! Gelatos, Inktense pencils, and Neocolor II crayons

Besides connecting people around the globe, the Internet has opened up a whole new world of possibilities for artists and crafters. Products that would have once been found only in elusive art supply catalogs and expensive stores, can now be found on numerous online venues at competitive and even discounted prices. Learning to use these products still involves some trail and error, but a quick Google search can usually product a myriad of sites and videos that provide tips and techniques. In the last few months, I have been spending less time sewing and sculpting and more time drawing. With my schedule freed up from school, but often occupied with baby visits, I have had to find projects that can be easy put away and picked up later. This has led me to several new ( or at least new to me) products.

Faber Castell Gelatos are Chapstick like sticks of pigment that seem to be used primarily in card making, art journals, and mixed media projects. These are my newest acquisition,so I have had very little time to experiment.

Derwent Inktense pencils are water-soluble ink pencils that become permanent with the addition of water. They can be used on paper, canvas, leather, and even fabric.

Neocolor II water-soluble wax crayons by Caran D'Ache are bright crayons that go on smooth and take on a watercolor look when used with a wet brush or water pen. Like Inktense pencils, they can be used on paper, canvas, leather and fabric. They are available 126 colors ( set shown is 84 piece). Over the next few weeks, I will be going over the positive and negatives of each of these products along with what I have been doing with them.