Basic Faces and Smoothing Wrinkles

The wrinkle in my Art Nouveau/Rosemaling piece has been smoothed. The main cause of this wrinkle was to much water meets to light of weight paper. I typically use Stonehenge paper as it is versatile, has a nice weight, and is Made in the U.S.A. In most situations, it actually wrinkles less than tradiditional watercolor paper. Applying multiple layers of color and water to the Stonehenge paper seems to break it down. I have found correcting these wrinkles is a little differently than you would do with standard watercolor paper. It is actually important to lay down more color with a light hand to create a heavy wax layer that builds up the paper. It took me two days of layering, lightly wetting and flat-weighting, but the nasty wrinkle along my young Norwegian maidens face is now gone and I can get back to work doing finishing details.

I started the face detailing on my Americana piece also. Everything done so far was done with Neocolor II crayons. I had some bleed off into her teeth. She looks like she has been enjoying a nice Cabernet. My next step will be to continue with The crayons going through and softening up all the details giving everything a bit more of an aged look.

I have started drawing out a third piece which I plan to use the Neocolor II crayons as the main base. Just looking at what I have done so far, I can really see the differences in these products. I am also coming up with a pretty lengthy list of each products merits and downfalls.